The Collector: Bluebird of Happiness

If life is an endlessly fascinating curation of experience and memory, so your adornments must be. This is the second in what I believe will be a longer series for two reasons: 1. I loved making this. The quiet rhythm, the poetry, the intuition and counter-intuition of juxtaposing so much treasure. And, 2. I have more beads than any one human being should (by any measure) own, collected over decades and from around the globe.

This one of a kind strand, a soft baroque palette of mostly blues/pinks, is 46″ without a clasp and can be worn long, flapper-style, or looped twice over your head. Upon examination, and I hope you’ll examine it for years to come, you will find too many things to name, but here’s a partial list: glass Czeck bluebird, handsewn velvet heart, vintage wedding cake bead, bullet casing, memento mori ceramic skull, textiles including vintage millinery, stars, a rusted metal button from an archeological dig, raw ruby, rusted safety pin, tribal beads, and endless sparkle from divine glass beads. Last photos (with Magnolia Pearl jacket) will give you size and my styling context. But looks great with a shredded tee shirt too!

For further information, please email me and don’t forget to click on the images to enlarge them.

Forgotten Flowers

Today the world seemed cruel, but evening hours
Were filled with perfume from forgotten flowers.

–Eva Sparks Taylor, Prayer in a Garden

A very vintage 1940’s rhinestone pin takes on new life, and death, and a certain spirit that is both unique and cunning. Patina grunge abounds, and some stones may be missing but this adds to the ancient charms and powers of this wearable art. The back has been artfully treated as well. Pin is 1.75″ across, a really perfect lapel size. Although this has been carefully created to be quite stable, dropping or banging it could cause breakage. I would not pin this to a purse or backpack. I’m sort of loathe to let go of this one!

One of a kind, ready to ship.

Click photos below to enlarge.

You’ve Got A Friend: Sharing is…

Sharing is caring
Oh sharing is fun
We can all share together
Be kind to everyone

Can you share? (Hmmm)
Can you share? (Hmmm)
Can you share? (Hmmm)
Please? (Okay)

Soojin Jeon (Recorded by Cocomelon)

Each necklace in this series features a fun-lovin’ vintage Care Bear friend–ready to party in a cute party hat–surrounded by a deliciously sweet, super sparkly riot of vintage and new beads and charms (including a mememto mori vintage skull), all affixed to 19 inches of chunky candy-colored plastic chain and guaranteed to bring maximum joy to you and everyone you meet. Each is one of a kind, as pictured, and ready to come knockin’ on your door. The entire first series is also shown, other friends listed separately. Return to the Capsule collection page here.

PS: As an added sharing bonus, I’m including a free vintage Mardi Gras beaded necklace with each Friend necklace (very last picture). These are quite old and rare, probably dated mid-20th century, judging from the plastic and the colors. I’ll randomly choose one that will layer well with your Friend!

Please email me with any questions.

Remember to click photos to enlarge!

You’ve Got A Friend: Rainbow

Somewhere over the rainbow, way up high
There’s a land that I heard of once in a lullaby
Somewhere over the rainbow, skies are blue
And the dreams that you dare to dream
Really do come true

Arlen Harold (Recorded by Judy Garland, 1938)

Each necklace in this series features a fun-lovin’ vintage Care Bear friend–ready to party in a cute party hat–surrounded by a deliciously sweet, super sparkly riot of vintage and new beads and charms (including a mememto mori vintage skull), all affixed to 19 inches of chunky candy-colored plastic chain and guaranteed to bring maximum joy to you and everyone you meet. Each is one of a kind, as pictured, and ready to come knockin’ on your door. The entire first series is also shown, other friends listed separately. Return to the Capsule collection page here.

PS: As an added love bonus, I’m including a free vintage Mardi Gras beaded necklace with each Friend necklace (very last picture). These are quite old and rare, probably dated mid-20th century, judging from the plastic and the colors. I’ll randomly choose one that will layer well with your Friend!

Please email me with any questions.

Remember to click photos to enlarge!

The Collector: Everything All at Once

If life is an endlessly fascinating curation of experience and memory, so your adornments must be. This is the first in what I believe will be a series for two reasons: 1. I loved making this. The quiet rhythm, the poetry, the intuition and counter-intuition of juxtaposing so much treasure. And, 2. I have more beads than any one human being should (by any measure) own, collected over decades and from around the globe.

This one of a kind strand, a symphony of neutrals, but only at first glance, is 76″ long and can be worn in many ways, from lengthy swingy flapper style to doubled, tripled and depending upon your neck size, even quadrupled (a tiny unobtrusive clasp allows this). Upon examination, and I hope you’ll examine it for years to come, you will find too many things to name, but here’s a partial list: tiny antiqued key and rusted bell charms, glass, clay, bone, actual bones (tiny fish and mammal vertebrae and other things), plastic, velvet millinery, sequins, raw rubies, stars. As in most of my work there is a small memento mori skullalong with much life, sparkle, and joy. The last photos provide some size context. Ancient cropped top is vintage, dress is by Yusho Kobayashi.

For further information, please email me and don’t forget to click on the images to enlarge them.

Pocket Full of Posies

Or anything you like… a dime for emergency calls at the payphone, a seashell, a little hard candy if you’re a grandma. A poem, a crystal, a word for the day. Anything goes! This dear pocket necklace is two-sided, made from a truly sweet and embellished (lace + hand embroiderey) vintage quilt, strung on handcrafted rag cord and adorned with lovely tribal beads. My signature vintage laundry tag and rusted safety pin are included; it is always wise to have a safety pin on hand. Cord length is 30″, pocket is 2″ with 2.5 inch beaded dangles. Perfect for layering with shorter and longer pieces alike.

For further information, please email me and don’t forget to click on the images to enlarge them.

The Mended Heart #2

We stitch the dear tattered thing together, its mends and scars our memory-badges of love, honor, strength, loss, pain, resilience and joy. Who amongst us doesn’t carry a precious version of this story?

The Mended Heart necklaces are evocative one of a kind treasured heirlooms, crafted with a curation of ancient and new materials gathered across decades and continents. Materials may be frayed, and all sewing is purposefully primitive and imperfect.

The readymade necklace pictured here is available as shown and includes: vintage Victorian crazy quilt heart focal (late 1800s), satin ribbon, vintage global beads  (bone, horn, glass, clay), a vintage archeological military button, vintage millinery supply and a special vintage numbered French laundry tag. A small piece of ancient genuine keyhole hardware hangs from the bottom of the heart focal and a tiny rusted safety pin adorns the back. Made to be worn long, each necklace is a fixed length (+/- 34″) that falls below the breast. Hearts range from 3-4″ including dangling charm at bottom. I can provide a precise measurement and may be able to shorten, but not lengthen the cord. The last photo provides a sense of scale and context when worn.

I am happy to answer questions and please click photos below to enlarge.

*  * * * * * * * * * * * * * * * * * * * * * * *

ALSO AVAILABLE by request: Custom Mended Heart

I also offer customized heirloom Mended Heart necklaces that include similar supplies and treatments, but also can incorporate treasures of your own. These should be small items (like those you see on the readymades), in keeping with the overall aesthetic, and must be able to be readily sewn into place, either on the heart’s front or back, or on the necklace ribbon/cording. Examples that can work are small buttons, scraps of fabric, small charms or keys. If you’d like a necklace customized, we’ll have an email convo to discuss details and review items you might wish to include. Snapshots of your supplies can also help in assessing feasibility. I can start with a quilt scrap of yours or utilize one from my collection and can let you know what’s available at the time of inquiry.

Finally, a small amount of beloved human or animal ash remains can be tucked and sewn into a customized heart, permanently and I’ll guide you through these requirements.

Custom Mended Hearts start at $250. For further information, please email me.

 

 

The Mended Heart #3

We stitch the dear tattered thing together, its mends and scars our memory-badges of love, honor, strength, loss, pain, resilience and joy. Who amongst us doesn’t carry a precious version of this story?

The Mended Heart necklaces are evocative one of a kind treasured heirlooms, crafted with a curation of ancient and new materials gathered across decades and continents. Materials may be frayed, and all sewing is purposefully primitive and imperfect.

The readymade necklace pictured here is available as shown and includes: vintage feedsack quilt scrap heart focal (1930s), a lovely sweet vintage red goat (likely 1950s-60s), vintage and new global beads  (bone, horn, glass, clay), a precious beaded ring, a tiny tooth that looks authentic but is actually dental supply, a rusted bell charm, handcrafted rag ribbon, and a special vintage numbered French laundry tag. A handmade cast and distressed metal star charm hangs from the heart. Made to be worn long, this is a 30″ necklace with a 4″ focal (including both parts). The last photo is for scale and shows the necklace with a beautiful Domi slip.

I am happy to answer questions and please click photos below to enlarge.

*  * * * * * * * * * * * * * * * * * * * * * * *

ALSO AVAILABLE by request: Custom Mended Heart

I also offer customized heirloom Mended Heart necklaces that include similar supplies and treatments, but also can incorporate treasures of your own. These should be small items (like those you see on the readymades), in keeping with the overall aesthetic, and must be able to be readily sewn into place, either on the heart’s front or back, or on the necklace ribbon/cording. Examples that can work are small buttons, scraps of fabric, small charms or keys. If you’d like a necklace customized, we’ll have an email convo to discuss details and review items you might wish to include. Snapshots of your supplies can also help in assessing feasibility. I can start with a quilt scrap of yours or utilize one from my collection and can let you know what’s available at the time of inquiry.

Finally, a small amount of beloved human or animal ash remains can be tucked and sewn into a customized heart, permanently and I’ll guide you through these requirements.

Custom Mended Hearts start at $250. For further information, please email me.

 

 

You’ve Got A Friend: Night Night

Night, night, sleep tight,
Don’t let the bugs bite,
If they bite squeeze them tight,
They won’t come back another night.

Scottish Lullaby

Each necklace in this series features a fun-lovin’ vintage Care Bear friend–ready to party in a cute party hat–surrounded by a deliciously sweet, super sparkly riot of vintage and new beads and charms (including a mememto mori vintage skull), all affixed to 19 inches of chunky candy-colored plastic chain and guaranteed to bring maximum joy to you and everyone you meet. Each is one of a kind, as pictured, and ready to come knockin’ on your door. The entire first series is also shown, other friends listed separately. Return to the Capsule collection page here.

PS: As an added love bonus, I’m including a free vintage Mardi Gras beaded necklace with each Friend necklace (very last picture). These are quite old and rare, probably dated mid-20th century, judging from the plastic and the colors. I’ll randomly choose one that will layer well with your Friend!

Please email me with any questions.

Remember to click photos to enlarge!

You’ve Got A Friend: Funshine

When you’re down and troubled
And you need some lovin’ care
And nothin’, nothin’ is goin’ right
Close your eyes and think of me
And soon I will be there
To brighten up even your darkest night

You just call out my name
And you know, wherever I am
I’ll come runnin’
To see you again
Winter, spring, summer or fall
All you have to do is call
And I’ll be there
You’ve got a friend

Carole King (writer, recorded on Tapestry
James Taylor (recorded on Sweet Baby James)

Each necklace in this series features a fun-lovin’ vintage Care Bear friend–ready to party in a cute party hat–surrounded by a deliciously sweet, super sparkly riot of vintage and new beads and charms (including a mememto mori vintage skull), all affixed to 19 inches of chunky candy-colored plastic chain and guaranteed to bring maximum joy to you and everyone you meet. Each is one of a kind, as pictured, and ready to come knockin’ on your door. The entire first series is also shown, other friends listed separately. Return to the Capsule collection page here.

Please email me with any questions.

Remember to click photos to enlarge!

In the Permanent Collection

A collection of memories, once fluttering, now still… cherished. You are a museum.

This exceptionally detailed and delicately beautiful miniature work of art features a baroque frame that has been given the patina and grunge of time, a group of tiny brass flutters, and one central butterfly that is a very vintage Czech glass button. A mosaic of the tiniest beadwork and glittering rhinestone chain surround these treasures. The frame is 2 3/4″ x 2 3/8″, substantial but very wearable. The back has been lovingly textured and treated with special effects. A 17″ aged brass chain is looped through the focal and ends with a lobster clasp.

Due to the somewhat delicate nature of this piece, I recommend that you wear it shorter rather than longer, so that it sits upon the flat part of the chest, rather than bouncing around at a longer length. I’m happy to make adjustments. While this piece is very stable, there is some fragility, with tiny beads and glass that could fall out or break if dropped, banged, or otherwise abused. Not recommended for children, or a night out slam dancing. Ths would be lovely hanging on a wall when you’re not wearing it.

One of a kind, ready to ship.

Remember to click on images below to enlarge.

Elementals: #1

Elemental (from MW): adjective: primary or basic.

But also: noun: a supernatural entity or force thought to be physically manifested by occult means.

This series, I think, meets these criteria. Simply made from gorgeous, rare materials, designed to evoke so much more. I’m not sure about the occult part, that’s up to you. Pictured is a lovely simple necklace that features a large-ish, damaged brass globe and other brass beads with krobo disks from Ghana. strung on distressed silky ribbon with a sweet clasp and measuring a fixed 17″ in length. All of the Elementals are being designed for layering with my other pieces. Last photo shows how that works. The other necklace in that photo is available here. The Billie Holiday pin shown in one photo is NFS/collection of the artist.

3 of a kind but one is spoken for so only 2 available. The beads are the same, but there is variance since they are handmade.

Happy to answer questions and don’t forget to click on photos to enlarge.

Dreamland: Let Them Eat Cake

Let them eat cake” is the traditional translation of the French phrase, Qu’ils mangent de la brioche,” said to have been spoken in the 17th or 18th century by “a great princess” upon being told that the peasants had no bread. The French phrase mentions brioche, a bread enriched with butter and eggs, considered a luxury food. The quote is taken to reflect either the princess’s frivolous disregard for the starving peasants or her poor understanding of their plight.While the phrase is commonly attributed to Marie Antoinette, there are references to it prior to the French Revolution, meaning that it is impossible for the quote to have originated from Antoinette, and it is unlikely it was ever spoken by her.

The Dreamland necklaces are delicate poems of another time (past or future), crafted with a curation of ancient and new materials gathered across decades and continents. On this necklace you will find an ancient porcelain doll’s leg dug up from a bombed German doll factory, gorgeous vintage and new Czech bohemian glass beads, a tiny piece of handsculpted vanilla cake (with sprinkles), a memeto mori bone skull, velvet milinery flowers, snake vertebrae, a tiny tooth that looks genuine but is just dental supply, and vertebrae of a small mammal.

The readymade necklace pictured here is available as shown and ready to ship. It is one continuous length (approx. 52″ with the doll leg focal an additional 1.5″) knotted on silk cord and can be worn long or doubled. The last photo shows the necklace styled, in context with a beautiful crochet/knitted top by Colors of Jades. A second necklace used as a prop, with vintage Nigerian brass globes, is listed separately. It was designed for layering with this one and is not included in purchase.

I am happy to answer questions and please click photos below to enlarge.

Dreamland: Annual Adventure

The stuff of dreams:

Brutal hot mid-western August day: We pile into father’s ’55 T-Bird, tumble out at the State Fair, and the Annual Adventure of Our Lives begins. Sister has the skate key so that we can sail and glide across the steaming black asphalt… from the midway to the thrill-rides and  farm buildings, jam-packed with 4H teenagers, chickens, pigs, sheep and goats, stinky in the heat but we don’t mind. Rumor has it there was a brief appearance of aliens at the Fair one year, and sister swore she saw a UFO the night before when she looked out our bedroom window just before midnight. We do not believe her, though we shiver at the thought. Probably just a shooting star, we say, streaking across the sky as we slept dreaming of hot miniature fried donuts, covered in sugar and cinnamon.

The Dreamland necklaces are delicate poems of another time (past or future), crafted with a curation of ancient and new materials gathered across decades and continents. On this necklace you will find a feedsack quilt scrap heart, Czech glass beads, a skate key charm, a memeto mori ceramic skull, vintage dice, velvet milinery flowers, and potentially a space ship, but that can not be verified. Please note: ’55 T-Bird not included; you’ll need your own ride to the Fair.

The readymade necklace pictured here is available as shown and ready to ship. It is one continuous length (approx. 52″) knotted on silk cord and can be worn long or doubled.

I am happy to answer questions and please click photos below to enlarge.

Forever Held #1

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart(i carry it in my heart)

e. e. cummings

This tiny wearable work of art includes a Victorian brass hand, a blue Czech glass heart, and many tiny vintage and new glass beads. The frame is 2 5/8″ x 1 1/2″ and has been hand-treated with grunge and a beautiful patina. Strung on a copper chain that is 24″ with lobster clasp. The back has been texturally treated with embedded treasure as shown. Although these pieces are crafted for stability, there is a certain inherent fragility in the tiny glass bits and pieces; if dropped or banged breakage could occur. For that reason, I do recommend wearing these shorter, on the flat upper part of the chest. Please let me know if you’d like the length adjusted at time of purchase.

ee cummings was one of the first poets I ever read; I’ve loved his work since I was a very young girl. Carry the hearts of all those you love, including your own dear heart.

When not being worn, this piece would be happily stored on your wall, or in the lovely box it will ship in.

Remember to click on images below to enlarge.

You’ve Got A Friend: LOVE

When you’re down and troubled
And you need some lovin’ care
And nothin’, nothin’ is goin’ right
Close your eyes and think of me
And soon I will be there
To brighten up even your darkest night

You just call out my name
And you know, wherever I am
I’ll come runnin’
To see you again
Winter, spring, summer or fall
All you have to do is call
And I’ll be there
You’ve got a friend

Carole King (writer, recorded on Tapestry
James Taylor (recorded on Sweet Baby James)

Each necklace in this series features a fun-lovin’ vintage Care Bear friend–ready to party in a cute party hat–surrounded by a deliciously sweet, super sparkly riot of vintage and new beads and charms (including a mememto mori vintage skull), all affixed to 19 inches of chunky candy-colored plastic chain and guaranteed to bring maximum joy to you and everyone you meet. Each is one of a kind, as pictured, and ready to come knockin’ on your door. The entire first series is also shown, other friends listed separately. Return to the Capsule collection page here.

PS: As an added love bonus, I’m including a free vintage Mardi Gras beaded necklace with each Friend necklace (very last picture). These are quite old and rare, probably dated mid-20th century, judging from the plastic and the colors. I’ll randomly choose one that will layer well with your Friend!

Please email me with any questions.

Remember to click photos to enlarge!

Hazy Cosmic Jive

Didn’t know what time it was, the lights were low
I leaned back on my radio

Some cat was layin down some rock ‘n’ roll
“Lotta soul,” he said

Then the loud sound did seem to fade
Came back like a slow voice on a wave of phase
That weren’t no DJ, that was hazy cosmic jive

David Bowie, Starman

The Hazy Cosmic Jive series is a set of sparkly little talismans, each offering various protections and other mystical privileges to the wearer as described on the images. All four styles feature a super twinkly enameled and bejeweled focal in creamy opaque colors, with tiny (and magical) enhancement charms of glass, plastic and bone beads. The last image is labeled A-D; please choose one (or layer a few) and include a note at purchase (a pulldown menu is coming soon!). If you choose Style D, also include your choice of color in your note: From top center, clockwise, the colors are Spearmint Green, Ballet Blush / SOLD (almost white, with a hint of pink), Ocean Blue, Bubblegum Pink. Necklace chain is extremely delicate gold filled at 17″ length. Each style is limited to 4 pieces or so and these will not likely be remade when sold out.

These were hard to capture in photos, they are very detailed and sweet and are designed to work well layered with other necklaces on the site.

Please email me with any questions.

The Mended Heart #1

We stitch the dear tattered thing together, its mends and scars our memory-badges of love, honor, strength, loss, pain, resilience and joy. Who amongst us doesn’t carry a precious version of this story?

The Mended Heart necklaces are evocative one of a kind treasured heirlooms, crafted with a curation of ancient and new materials gathered across decades and continents. Materials may be frayed, and all sewing is purposefully primitive and imperfect.

The readymade necklace pictured here is available as shown and includes: vintage feedsack quilting (1930s), handcrafted twine, vintage beads (bone, horn, glass), a vintage button, vintage millinery supply and a special vintage numbered French laundry tag. A small tin red truck with moveable axles dangles from the main focal. A tiny rusted safety pin adorns the back. This necklace includes a tiny tooth that is not real but is dental supply and truly looks authentic. Made to be worn long, each necklace is a fixed length (+/- 34″) that falls below the breast. Hearts range from 3-4″ including dangling charm at bottom. I can provide a precise measurement and may be able to shorten, but not lengthen the cord. The last photo provides a sense of scale and context when worn.

I am happy to answer questions and please click photos below to enlarge.

*  * * * * * * * * * * * * * * * * * * * * * * *

ALSO AVAILABLE by request: Custom Mended Heart

I also offer customized heirloom Mended Heart necklaces that include similar supplies and treatments, but also can incorporate treasures of your own. These should be small items (like those you see on the readymades), in keeping with the overall aesthetic, and must be able to be readily sewn into place, either on the heart’s front or back, or on the necklace ribbon/cording. Examples that can work are small buttons, scraps of fabric, small charms or keys. If you’d like a necklace customized, we’ll have an email convo to discuss details and review items you might wish to include. Snapshots of your supplies can also help in assessing feasibility. I can start with a quilt scrap of yours or utilize one from my collection and can let you know what’s available at the time of inquiry.

Finally, a small amount of beloved human or animal ash remains can be tucked and sewn into a customized heart, permanently and I’ll guide you through these requirements.

Custom Mended Hearts start at $250. For further information, please email me.

 

 

Dia de los Muertos

Do not stand at my grave and weep. 
I am not there, I do not sleep. 
I am a thousand winds that blow. 
I am the diamond glints on the snow. 
I am the sunlight on the ripened grain. 
I am the gentle Autumn’s rain. 

When you awaken in the morning hush, 
I am the swift uplifting rush 
of quiet birds in circled flight. 
I am the soft stars that shine at night. 
Do not stand at my grave and cry: 
I am not there, I did not die. 

–Author Unknown, Native American, North America

The four Day of the Dead necklaces pictured here are offered individually, as priced below. Teal with copper metallic is SOLD. Please let me know which of the others (baby blue with pink metallic, bright red with blue, smaller white baby skull) you would like. Each necklace features gorgeous glass Czech focal sugar-skull bead, with a Frida Kahlo floral crown, surrounded by a mosaic of tiny beads and sparkles, both vintage and new. Brass or silver heart charm is a little over 2″ long x a little over 1″ wide, so quite small. My default chain is a nice 24″ brass or black chain with lobster claw clasp; I can reduce (but not lengthen) to your specification. I do recommend wearing these shorter, upon the flat part of your chest, due to some level of fragility. Although the pieces are extremely stable in their creation, they will break or fall apart if dropped or banged hard. So no slam dancing while wearing.

Each is one of a kind, ready to ship.

Click photos below to enlarge.

Be Drunk


You have to be always drunk. That’s all there is to it—it’s the only way. So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk.

But on what? Wine, poetry or virtue, as you wish. But be drunk.

–Charles Baudelaire, Be Drunk

A smashed yellow bottlecap forms the base for this incredible concoction… embellished with a tiny clay skull, vintage and new beads and bits, a vintage beaded bow. Back is embellished as shown with a secret bee. About 1.75″ across and 2 3/8 from very top to very bottom. Made with care, love and is very stable, but could break or shatter if dropped. Perfect for a lapel, probably should not be pinned to a purse or backpack where it might get banged and bumped. You may get some extra super powers wearing this; but I can’t be certain about that.

One of a kind, ready to ship.

Click photos below to enlarge.

Forever Held #2

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart(i carry it in my heart)

e. e. cummings

This tiny wearable work of art includes a Victorian brass hand, a red glass flaming heart, and many tiny vintage and new glass beads. The frame is a mere 1 1/4″ x 1 7/8″ and has been hand-treated with grunge and a beautiful patina. Strung on an antiqued brass chain that is 24″ with lobster clasp. The back has been texturally treated with embedded treasure as shown. Although these pieces are crafted for stability, there is a certain inherent fragility in the tiny glass bits and pieces; if dropped or banged breakage could occur. For that reason, I do recommend wearing these shorter, on the flat upper part of the chest. Please let me know if you’d like the length adjusted at time of purchase.

ee cummings was one of the first poets I ever read; I’ve loved his work since I was a very young girl. Carry the hearts of all those you love, including your own dear heart.

When not being worn, this piece would be happily stored on your wall, or in the lovely box it will ship in.

Remember to click on images below to enlarge.

Rebel Rebel

Introducing my very first knitting pattern, the Rebel Rebel Scarf. Born out of my addiction to stranded color work and my decades-long abiding love for David Bowie, this is a celebration of color, craft, and rock n’ roll.

Knitted as one long tube in the round, the scarf progresses through any number of colors and color work patterns–or just plain stripes, culled from your yarn stash. Details about the pattern and purchasing are over on my Ravelry page.

Rebel Rebel Pattern Launch


Long time, no blog, don’t hate!

In the years since, truth be told, I’ve not been making much jewelry. Well, I did make some, but then got bogged down making the Web pages… but I’ll do that one day! Promise!

Meanwhile, I’ve turned into a crazed, knitting-addicted maniac. And, even more troubling (exciting?) I’ve designed and released a pattern on Ravelry.

Thanks to a dear friend, I fell in love with stranded color work specifically, finding this technique to be one of the most joyful, creative, and thrilling things I’ve ever done in any medium.

This is an intermediate pattern; you should be familiar with stranded colorwork as those basic instructions are not included. You’ll get the charts for all the Bowie material, designed by me. The rest of the scarf is completely open-ended and even simple stripes will work (and I’d love to see that!).

If you want to follow my lead, you’ll need the two books pictured below. Anna Bauer’s Alterknit Rebellion completely inspired me and is a must-have for any colorwork enthusiast. Trust me, you will LOVE this book. And, Alterknit Stitch Dictionary is also a total gem and must-have.

And, please stay tuned because I have more patterns in development as part of my RockStar series; Lou Reed and Arthur Rimbaud are up next. I plan to eventually release these as an eBook as well. The best place to keep up with me these days is Instagram: @SoCharmedTribe.

xoxo and until next time (which will be sooner than 5 years… I promise!)

A Votre Sante

A health and well-being talisman necklace centers around the genuine tiny bone of a very small animal. The bone itself is a mere 5/8″ long and is surrounded by a joyfully patterned mosaic of matte, faceted, and glittering seed beads with other treasure, including the tiniest brass crown and a rare diamond-shaped vintage Swarovski rhinestone. All is confined to an an ornate baroque frame, treated by hand with heavy patina and grunge in burnt shades of black, bronze, gold and turquoise. The dangling heart is a vintage Czech glass givre heart, with an illusion of blood enclosed.

The back of the piece has been textured and patina’d as shown.

Powerful magical qualities included and made with love.

My default chain is 24″ with a lobster clasp. I highly recommend that this be worn shorter, on the flat upper part of your chest due to some fragility so please let me know if you’d like it shortened to any length. While the piece is solidly made and quite stable, dropping or banging it could cause damage. No slam dancing while wearing, please.

One-of-a-kind, ready to ship.

Click photos below to enlarge.

Under the Crescent Moon

There’s that feeling you get when you look at the moon, that someone you love–someone perhaps far away–is gazing at the same sliver of glowing white and maybe, just maybe, thinking of you.

Treasured bits and pieces come together into this necklace, which features a slice of ancient tin ceiling tile, a glass eyeball, rivets, vintage and new beads and findings, and deliciously grungey patinas throughout. The clasp is vintage, one of those slidey things, as shown.

Please note, it’s possible that the paint on the front of this tin contains lead, since it is likely as old as turn of the century, up to the 1940’s. The back does not contain any paint. Rust is always a part of these found objects.

The crescent itself is about 3.5″ across. The length of the necklace is about 17.5″ total. Due to the somewhat delicate nature of this piece, I recommend that you wear it shorter rather than longer, so that it sits upon the flat part of the chest, rather than bouncing around at a longer length. I’m happy to make adjustments. While this piece is very stable, there is some fragility, with tiny beads and glass that could break if dropped, banged, or otherwise abused. Not recommended for children, or a night out slam dancing.

One of a kind, ready to ship.

Click photos below to enlarge.

Dottie Angel Frock, Part 1: WHAT SIZE?

Screen Shot 2015-10-01 at 11.59.57 AM

You read it here first: Simplicity Pattern 1080, The Dottie Angel Frock (DAF for short), released earlier in 2015, is fast becoming a cult classic in the world of crafts and sewing. This is a pattern that will live for decades, and will one day be out of print, collectible, and highly valued on the resale market. Trust me. In otherwords, run, do not walk to your local fabric emporium and grab at LEAST one copy. Note, you are going to fall in love with and want to make a wardrobe full of these frocks and for that reason you might want to pick up a second copy or trace your first. No local shops? Visit the Simplicity site. BTW, the pattern makes 3 versions… my posts will be about version C, the most complex and delicious in my opinion.

Screen Shot 2015-10-01 at 12.00.16 PM

Let me get this out of the way: I am a NOVICE sewing person. Making this dress was my first attempt at a commercial pattern from any of the Big 4 (Simplicity, McCalls, Burda, Vogue). I have been “sewing” for many years, but in the most punk-rock ad-hoc way imaginable. I did not know how to lay out, mark, or cut a pattern, let alone read and follow the often-obtuse instructions. I thrift, reconstruct, make stuff up as I go along. Some things turn out wearable, and that has been due to the fact that I have a great sense of style and design and color and can fake my way through by playing to my strengths and ignoring my weaknesses (pretty much everything to do with actual sewing). Pictured below is a 4-piece dress I had a lot of fun with years ago, the Piece of Cake Dress. It is a super sweet indie pattern available here, and quite simple. I made at least 5 of them. Good practice sewing, but did not prepare me for a commercial pattern attempt. It did give me some bias binding experience, more on that later. And yes, that’s me with supah short hair.

jodicake5

So, with its scant handful of pattern pieces (6 for version C), and finished results TO DIE FOR, this pattern finally inspired me to suck up all my fears and learn how to sew by the rules. I can’t be the only one. And, that’s why I’m here writing. If you want to read the musings of MUCH more experienced sewists about the DAF (and I recommend that you do even if for now you have no idea WTF they are talking about), just google and you’ll find those blog posts/pattern reviews. This is not a review. My review of this pattern is (pardonnez moi): fucking brilliant. Yes, there will be a few caveats, and this is about my experience getting through some complexities. But look at the pattern designer’s creations pictured below. I mean, just LOOK at those dresses! You know you want one. You will find out that you want 6. Or perhaps a baker’s dozen.

Screen Shot 2015-10-01 at 12.16.04 PM

Briefest backstory. Dottie Angel is the crafty granny-chic alter-ego of blogger, Tif Fussell. She is, in a word, also brilliant. In a few more words, she is an adorable petite-looking powerhouse of creativity and technique… she thrifts and collects and curates… she sews, knits, embroiders, makes gorgeous photos, publishes books… she blogged for many years, is raising a bunch of kids, and seems to be the sort of dear lovely person you want as a best friend, mentor, sister. Yes, she’s all that. And she makes it look completely effortless. Which, of course, it–whatever it is–is not.

IMG_4409

And that brings us back to this dress pattern (me and my little textile study for DAF #1, pictured above). Now, I have bought patterns before, opened up the folded moth’s-wing-thin tissues and instructions that appear written in a language I do not speak, and ended up in puddle of frustrated tears at the mere thought of getting started. Sewing from patterns is… a thing. So–and you may not like this–my recommendation to you: Learn how to use your machine a bit, then take a good basic class on working with patterns. I honestly don’t think you can learn the basics without SEEING them demonstrated (online courses are becoming big, I have my doubts, at least for me). I booked private sessions ($45 per hr, reasonable as these things go) with Jen Biehl at Bits of Thread Studio here in DC, working with her on two successive weekends for 1.5 hrs each time. Jen was kind, fun, great. We were focused. We worked hard. I was nervous and anxious. But after 3 hours (and some youtubing at home), I was able to carry on and complete my first DAF. Highly recommend Bits of Thread… lovely place.

IMG_2195

And while it wasn’t a complete tragedy (cute fabrics!), it turned out to be too big. I am 5’1″ (petite), a curvy 122 lbs, with a 38″ bust. My teacher Jen and I both thought size M looked right, but I was, as pictured below, swimming in the thing. When my boyfriend uttered the “m-word” (matronly… GASP!) I stopped short of hemming the dress, which was all that was left to do, settled myself down, and began anew. The story has a happy ending, I promise.

In retrospect, and to be fair to Tif and Simplicity, the pattern sizing CLEARLY shows that I should have made a size Small. So remember, go by the FINISHED bust measurement (bust is the only fitted spot on the garment, really), which for M is 42″. That is 4″ bigger than my bust… and it was just that… huge-mongous. It was big everywhere… through the middle and hips, hanging off my shoulders… droopy length. Not attractive. This is why making a muslin is advised with sewing from patterns, always. A muslin being a test-garment created from inexpensive fabric (could even be an old sheet), so that you don’t cut into more expensive textiles.

Screen Shot 2015-10-01 at 11.58.06 AM

I decided to make a “wearable muslin” which of course turned out not to be so wearable, at least by me. And I think, for any new patterns I try, that I will make a muslin. While it’s true that you will pour some long hours into something you won’t wear, there’s an alleviation of pressure that I think offsets this. And I realized something important: YOU DON’T HAVE TO FINISH a muslin. In fact, there are probably steps in the pattern you can even skip on your way to figuring out if the fit is right. I would not, for example, bother stay-stitching the neckline of the DAF on a muslin. NOT necessary. I would not FINISH seams properly as French or bias-covered or even overlocked (don’t let those words scare you but maybe do look them up), I would only pay attention to seam ALLOWANCE.

In other words, I might only do the steps necessary to determine fit, much of which I might be able to be complete in a few hours on a simple dress like DAF. Some fit issues will become apparent just by pinning, without even sewing. I was not experienced enough to make the judgement even though I pinned and tried on the garment like 50 times. Looking back, I could have recut the first dress down to a small had I stopped early enough, but I was really sort of unWILLING to admit it was too big. I thought I was too far in. As pictured below, I was choosing vintage buttons and dreaming about my vintage slip poking out the bottom. I was heavily invested so I pressed on. The good thing about this is that I got in a TON of practice before starting my second dress and because of that the second dress went faster, better, and I solved some key problems the second time around.

Screen Shot 2015-10-01 at 11.56.00 AM

The upshot is that the size small, which I just completed on my DAF #2, is perfect for me with one tiny alteration to the pattern. I thought it might be too tight through the bust, but it is perfect. The only change I made was to lower the bust tucks and by only a quarter inch. Perfect. I will write more about this in the next post.

IMG_2227

I wish I could help if you feel that the pattern requires more modification than something simple, but I am simply (haha) not there on my sewing journey. If you think you are really between sizes, go bigger first. Then consult someone experienced about how and where you might make changes so that you are not swimming in it. You can not wear a garment that is pulling across your bust or hiked up under your armpits. You might well be able to alter a garment down that is too big. Or give it to a friend.

Also, get out there on the internet and do some research. There are lots and lots of photos of women wearing their first (and some second) DAFs at this point in the life of this pattern, especially on Instagram #dottieangelfrock. Some of these dresses look (to me) to be too tight in the bust and that the bust tucks are too high (which people have been complaining about and I will address later). Also study the image on the cover of the pattern without judging yourself against it; she is a MODEL. I do not have the long, lean body type of this young woman (and neither, I bet do you), but look at how the garment DRAPES or falls. It is fitted because of the back tie and the front tucks, everything else is fairly soft. Drape is the important thing you are seeking to recreate with the DAF. This garment should have a somewhat loose, relaxed fit with a cute bustline and flattering high waist. Not too loose, but casual, comfortable, with room to move about. You should be able to pick apples in this dress, feed your toddler, go out to lunch with a girlfriend. And your significant other should not utter the word “matronly.” If made in the right size, this dress will be comfy on a hot humid summer day in swampy DC, or cozy with a bulky sweater and boots in the dead of winter months.

Let’s get back to size. I do not, as yet, fully understand pattern sizes. I do know this: The system apparently has not changed much over many decades (unlike clothing sizes). I can’t figure out what my pattern size is; I’m sure I will know more about this as I buy and make a few more patterns. Another thing for certain: Pattern sizes have nothing do with clothing sizes. I am generally a 6-8 in clothing, and I think my pattern size might be 12-14. So there you go. Simplicity has chosen to go with a simplified xs-xl sizing for the DAF. Let me say this again ladies: Pick your size by the FINISHED bust size. Hopefully it will work out and/or get you close to a good fit.

Last bit of advice for this first post about sizing. Do NOT get hung up on size! If Simplicity calls you an XL, and you think you are a M… try not to take it personally! Because it’s not personal! Look, I am everything from a size 4 to a size 10 in clothing. I am NOT exaggerating. I am an XL at H&M and I’m a petite size 4 at Ann Taylor Loft. This is a fact of marketing, not a judgement about your body. And I’m going to get real bold and say this: I believe that Simplicity Pattern 1080, a truly brilliant gem, can look fantastically lovely and flattering on a WIDE variety of body sizes and types… from darling sweet scrawny chickens to big beautiful brawny babes. Love yourself, and make a dress that fits and compliments your shape no matter what size anyone is calling it. The DAF, I think, really can work for almost everyone. You might need to make two to find out, but as you will see in my next posts… there is SO MUCH really fun stuff to learn by making this dress, you will only improve a myriad of techniques, and each dress will likely surpass the last in many ways.

I’m on instagram now with lots more pix there, though you’ll have to put up with myriad kitty photos.

Learning Small

IMG_2779

I prefer working small; the above amphora necklace focal is 1.75″ tall, plus the millinery and stick pins. But since I’ve been seriously delving into the polymer clay medium, I’m realizing that even the smallest object holds the promise of so many lessons, from forming to surface texture to paint.

IMG_2760

The photo above is where I left the object last night… it had finished baking and I was disappointed with the dirty gray color and lack of translucency (I had mixed in gold leaf to very little effect). Still some things to master, but I wasn’t going to let all the work I’d done be for naught so I slept on it, and put some intentionality toward waking up to work on it some more, knowing that paint was the answer but feeling too sleepy to carry on.

IMG_2783

I’ve never been a clay or paint person, in art school or in my 30 years as a practicing artist/designer; I am now falling in love with handling clay and with applying paint in built layers. To make these amphora charms, I’ve taught myself how to create a slab vessel out of clay, because I wanted these to be hollow… more lightweight (for jewelry), and more real. I sort of made it up as I went along, doing what seemed to make sense. Softened and rolled out a sheet of clay, and started forming it, then making and attaching the neck separately from the body.

IMG_2784

None of these images capture fully the delicacy of either the textures or painted colors. By using the dirty gray as my middle tone, I was able to add shadows or low lights and high lights, applying pigment slowly. Close up above shows a bit more of the detail.

IMG_2782

The texture of the wing was produced separately from the vessel (stamped into the clay), with the top level sliced super thin like the thinnest swiss cheese and then applied to the surface. After this, the piece can’t be handled much until post-baking. All of these techniques can be learned via tutorials and videos on YouTube. I’ll try to find time to add some links to this post soon, but a quick search on Etsy and YouTube will yield everything you need. I’ve been studying and learning so much, even just making a tiny little object like this.

A Visit from the Muse Squad

IMG_2651

My creative impulse tends to build to a boiling point during periods when life is too busy, chaotic, stressful… and then as soon as the gift of time is provided… it’s like the floodgates of heaven and hell open, simultaneously.

IMG_2583

It started with this object, a very ancient glass bottle that I purchased in a crazy hippie crystal alchemists shop–The Crystal Fox–in Laurel, Maryland of all places. I think there was something about that visit that set things in motion; I’m blaming it on breathing too much incense smoke as Molly and I were in there for like three hours.

IMG_2646

This second object is something I’ve wanted to make for a truly long time, and after finishing it I realized its relationship to the image in the So Charmed website masthead, an image that has always compelled me in powerful ways. The boot is ceramic, and I made the teeny little vintage-style hatpins.

IMG_2691

The tiny ceramic or bisque boots are dear and expensive, so the following day I set about to make one out of polymer clay. The above piece thus is entirely handcrafted and I’m not sure I don’t like it better. Anyway, I plan to make more in both styles.

IMG_2671

This little guy is an ancient bisque doll, dug up from an abandoned factory in Germany and poor thing was headless, as so many of them are. I dearly love animal-human hybrids (this is my second foray with this concept for jewelry) and felt this one to be incredibly successful, to the point where I may not be able to let go. More are planned.

IMG_2709

During a manic creative period, there is a point where things either peak in an orgiastic art-fest or flame over the top in a heated blaze that can make one feel truly a bit mad. It is hard to know which thing is happening, only that it IS happening. Hence, Octoboy.

IMG_2721

An amphora bottle with velvety millinery and more hatpins. Hard to see but there is a ring of tortured rhinestones around the top. I spent most of the day on this, and I’m very happy with the result. Riveted holes will allow me to wire it for a necklace.

IMG_2715

I am going to continue making these with the intent of selling them at So Charmed. But… as always, how to price?? It’s so very hard. These take a day to fabricate and an endless amount of supplies, some of them costly. Above is the table in the dining room where I keep clay supplies so that I can be near the kitchen for baking. Below, more supplies and tools.

IMG_2714

Look closely, do you see two tiny Jiffy toothache medication bottles? Since Molly is refusing to give up her soon to be yanked wisdom teeth for the sake of her mother’s art (Mom, get your OWN out!)… I was forced to make some little toofs out of clay.

IMG_2726

Here is the entire collection to date. I love seeing them together as it suggests a certain consistency of vision that will manifest itself in so many differing and delightful directions. Yay for the muse!

IMG_2723crop

Priscilla Sugar Skull

Priscilla often felt a bit sheepish for no real reason. She was essentially a good girl, just prone to getting into mother’s things from time to time and slashing them to bits. Priscilla simply requires appreciation.

Handcarved and hand painted day of the dead sugar skull bead. Made from glimmery pearlescent clay, each comes with a tattered mourning bow and dangling charm (Priscilla’s is a vintage channel-set iridescent swarovski crystal because she’s fancy that way). Skulls are decorated front, sides and back. 16″ black chain.

OOAK, ready to ship.

Remember to click on photos below to enlarge. Last photo shows the first sugar skull collection in its entirety; listing is for Priscilla only.

Twist & Shout

Her anatomy defied all conventional wisdom, what they didn’t know was how much this had changed her. Powers unlimited in scope and breadth were hers to call upon at all hours of the night and day, seasons be damned. This was not without some measure of pain, however and she could be heard shouting in the rafters on occasion.

A twisted little necklace pretty enough for any gallery. Gilded frame, ancient anatomical/medical image coated with resin sealant, and beautiful vintage chain in a dusky seafoam color with rosary faux pearls. The image background is a pale dusty pink color; difficult to caption with the camera. I think it is best represented in the last photo.

I’m not going to promise that questions won’t be asked when you wear this.

One of a kind, ready to ship.

Remember to click on photos below to enlarge.

Millicent Sugar Skull

Don’t let her charming exterior fool you, Millicent is a vicious gossip and horrible speller. She would like to find an avid listener who can provide correction.

Handcarved and hand painted day of the dead sugar skull bead. Made from glimmery pearlescent clay, each comes with a tattered mourning bow and dangling charm (Millicent’s is a caged pearl). Skulls are decorated front, sides and back. 16″ black chain.

OOAK, ready to ship.

Remember to click on photos below to enlarge. Last photo shows the first sugar skull collection in its entirety; listing is for Agnes only.

Agnes Sugar Skull

Agnes has done so many terrible things, things she initially believed to be fair and true, that she fears for her soul on a constant basis. She would appreciate forgiveness.

Handcarved and hand painted day of the dead sugar skull bead. Made from glimmery pearlescent clay, each comes with a tattered mourning bow and dangling charm (Agnes’ is a pale blue vintage teardrop crystal). Skulls are decorated front, sides and back. 16″ black chain.

OOAK, ready to ship.

Remember to click on photos below to enlarge. Last photo shows the first sugar skull collection in its entirety; listing is for Agnes only.

Sale: Invictus, were $48

Invictus

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate,
I am the captain of my soul.

1875, William Ernest Henley

In 1875 one of Henley’s legs required amputation due to complications arising from tuberculosis. Immediately after the amputation he was told that his other leg would require a similar procedure. He chose instead to enlist the services of the distinguished surgeon Joseph Lister, who was able to save Henley’s remaining leg after multiple surgical interventions on the foot. While recovering in the infirmary, he was moved to write the verses that became “Invictus”. This period of his life, coupled with recollections of an impoverished childhood, were primary inspirations for the poem.

A beautiful pair of slightly asymmetrical earrings for invincible you. Feature gorgeous clay Scorched Earth dangles that resemble shells and bits of tattered reclaimed sari silk fiber (India). Coolest turquoise blue + silver glaze, vibrant cardinal red, and China bone white palette for a beach day, a festival, a night of wandering. With lovely French ear wires.

Charming, one of a kind, ready to ship.

Remember to click on the photos below to enlarge.

SALE: The Mischievous Princess, was $85

To the great frustration of her mother the Queen, her playful desire to cause trouble often found the Princess dismembering her dollies… fashioning them into necklaces and other fripperies.

Delightful and wickedly sweet necklace brings together an ancient ceramic doll leg (with a little painted shoe!), a tattered bit of black mourning ribbon and a lovingly aged verdigris crown charm. Delicate glass pearl rosary chain in a pale gray-blue adds a mystical touch. I think you could get into a bit of mischief in this gothic little piece.

One of a kind, ready to ship.

Remember to click photos below to enlarge.

Write Yr Story (Verdigris + Rose)

The shape of this ornament is the Talhakimt (also known as Tanfouk). This circle-with-downward-arrow is an ancient form of money in West Africa and is also worn as adornment–necklaces and braided into the hair–as a protective or fertility amulet.

I have my own theory. The wearer of these earrings shall have her creativity gathered up into the small circle so that it can sparkle and flow outward into the world through the point of the arrow. Yes, write your own story.

These started as vintage old-stock shiny gold dapped brass charms and then underwent my special alchemy process to produce a beautiful patina on the surface. Currently, two pair of these earrings are being offered, the more neutral black/bronze with vintage black diamond teardrop-shaped rhinestones and the verdigris patina which will show colors ranging from turquoise to green, bronze and back again, with palest dusky rose round faceted vintage rhinestones.

THIS LISTING is for the exact verdigris pair that is pictured in the first 3 images. The bronze pair is pictured to help you see the amazing detail achieved in the finishes.

Super lightweight, though look incredibly substantial, and come with brass leverbacks as shown. If you prefer wires, let me know and I can switch them out.

I’ve been wearing them every day, I can’t stop!

Shipwrecked

Scattered across the ocean floor, there are more than 300 million shipwrecks, containing billions of dollars worth of cargo. I imagine this bracelet might have been made of the scavenged remains of some lost pirate ship.

A fired clay focal with amazing silver metallic finish flashes hints of aqua and fuchsia… with a raised bumpy pattern in matte mustard. Trust me, it’s really one of the coolest objects I’ve ever seen. Sits beautifully on the wrist with vintage industrial steel chain, forged hook, and clasp made from old kuchi finding that has two ruby/glass stones. A fantastic verdigris crust has been applied.

This bracelet wants to fit you perfectly… loose enough for comfort but not so loose as to roll around the wrist. I will finish it to your measurement at purchase; and please email if you have any questions.

Absolutely a divine, artful, strangely evocative, one of a kind object d’art.

Sale: 555, were $58

Packing a lot of design into one pair of earrings, these lovelies feature amazing fired clay Scorched Earth artisan danglers with a mid-century feel and luminous Czech glass discs in ruby and mottled turquoise (look patinated). Modern tribal bohemian works of art–with a nod to Alexander Calder.

One of a kind, French ear wires. Not heavy, but longish.

Remember to click on images below for enlarging.

Electric Eccentric

A truly eccentric tribal curation of natural and manmade elements make up this beaded adornment, from African glass to tufted fiber, tiny vertebrae and a toothsome focal. Look closely and you’ll see tiny lightbuls strewn throughout, the detritus of an imagined life. Includes two vintage buttons, one covered in kimono silk. Around the world in one neckpiece! Post or pre-apocalyptic, you decide. Reclaimed Indian sari fiber allow this necklace to be worn close to the throat or longer. If you would like it finished to a particular length, I’m happy to accommodate your request.

One of a kind, ready to ship.

Remember, clicking on the images below will enlarge them.

Sale: Illuminate, were $68

il·lu·mi·nate

verb

1. light up.
“a flash of lightning illuminated the house”

2.decorate with gold, silver, or colored designs.
“the manuscripts were illuminated”

Onament and adorn yourself with these beauties and perhaps a flash of lightning will…

I’m not promising.

Still, undeniably a cool and slightly asymmetrical modern tribal baroque curation of sparkle and tone, with vintage Swarovski, Czech glass, gold leaf and tiny bone vertebrae. Warmth and light for your bohemian soul.

One of a kind, ready to go, with french ear hooks.

Remember to click on the photos below to enlarge.